The Being Inn (24bit 44khz), by SILKE EBERHARD TRIO with Jan Roder, Kay Lübke

The Being Inn (24bit 44khz)

by SILKE EBERHARD TRIO with Jan Roder, Kay Lübke

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You will get the CD-booklet (as PDF-file) with liner notes and photos as bonus, if you buy the whole album.

THIS IS THE 24-bit 44khz VERSION!

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1.	Ding Dong 05:10	info	buy track
2.	Willisau Suite 18:12	info	buy track
3.	Schlappen 00:48	info	buy track
4.	Mininatür 04:12	info	buy track
5.	Kanon 02:44	info	buy track
6.	Towels 00:37	info	buy track
7.	In Drei 03:36	info	buy track
8.	Wake-Up Call 00:35	info	buy track
9.	8915 04:40	info	buy track
10.	Schirm 03:59	info	buy track
11.	Another Pint 00:35	info	buy track
12.	Versteckter Kitsch 05:48	info	buy track
13.	Last Order 00:37	info	buy track

about

Intakt CD 280

It’s no secret that reedist Silke Eberhard is a keen student of jazz history, a player whose inspiration routinely gets recharged by immersing herself in the music of her early heroes. For her that means more than listening to old records by the likes of Eric Dolphy, Charles Mingus, and Ornette Coleman (the subject of Eberhard’s 2007 Intakt debut, a duo album with pianist Aki Takase titled Ornette Coleman Anthology) – but diving into that repertoire and reshaping it with novel instrumentation.

But Eberhard makes it clear that the trio featured on The Being Inn is the context for which she always imagines her own material. “I feel a lot of freedom with this group,” she says of working with bassist Jan Roder and drummer Kay Lu¨bke. Although this particular group coalesced in 2006, her history with each player stretches back to the mid-90s and there’s no missing the rapport they’ve all developed together.

Eberhard and company make a conceptual leap on the album, with many of the pieces tied to the titular concept – an imaginary inn the saxophonist pictured as she composed numerous tunes. She jokes that the spry opening track, “Ding Dong,” is the kind of number she likes to open one of the trio’s sets with – “a door bell,” she calls it, although the first sounds we actually here are her footsteps leading toward a door that soon opens, inviting the listener in. (Peter Margasak, from the liner notes)

REVIEWS:
www.intaktrec.ch/rev280-a.htm

credits

released June 16, 2017

Silke Eberhard: Alto Saxophone, Bass Clarinet
Jan Roder: Bass
Kay Lübke: Drums

All compositions by Silke Eberhard. Recorded January 2016 by Marco Birkner at Studio P4, Berlin. Mixed and mastered by Marco Birkner. Cover art: Roman Signer. Graphic design: Jonas Schoder. Liner notes: Peter Margasak. Photo: Rüdiger Kusserow. Produced by Silke Eberhard and Intakt Records, Patrik Landolt.

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Silke Eberhard Berlin, Germany

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